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biography
<<<BEEF
TERMINAL=MDMATHESON>>>
Toronto's MD Matheson has been making
ambient/electronic/post-rock instrumental guitar music under the
name Beef Terminal since 1995. Starting with low key indie
releases (1995's cassette only release "Old Mill/Claire") and
eventually signing with Toronto's renowned home of all
"beautiful music", Noise Factory Records (first home of Broken
Social Scene, BSS splinter band KC Accidental, NAW, Sparrow
Orange, Robin Judge and Tinkertoy) in 2000, Beef Terminal
released the influential ambient/electronic guitar based album
"20 GOTO 10". The album was a perfect introduction to the
looping guitar sounds and galloping beats that have now become
Beef Terminal's trademark. The album made waves on campus radio
in Canada, as well as selling well in Germany, Spain, France and
Japan. 2002 saw the followup to "20 GOTO 10" when "The Grey
Knowledge" was released in July of that year. Continuing on the
feel of "20 GOTO 10" yet with more sophistication, Beef Terminal
marked this release by playing the first ever live shows to
support the project. Using programmed beats and live and
looping guitar, the music quickly enthralled those who saw it
performed, both confounding and exciting them that all this
music was being played live by one person. In late 2003 Noise
Factory released "The Isolationist", and it marked a newer more
mature direction, which was greeted ecstatically by music fans
on both sides of the Atlantic. Sales in Canada, the United
States, Germany, France, Spain and Japan hit new highs, and the
album became a staple of Canadian Campus Radio for 2004,
eventually earning the #32 spot of 2004 as one of the most
played records of the year. Late in 2004 a b-side and
unreleased material limited edition album "Crosscheck and
Departure" was released on smaller Hamilton indie label Worthy
Records. 2006 will see an increase in the volume of touring
done by Beef Terminal, and a October 18th 2005 release date has
been set for the brand new Beef Terminal offering "Anger Do Not
Enter", released on Noise Factory Records.
live dates:
current review from Eye
Weekly -Oct 27th 2005
" After blissfully sinking his emotional electronic sound to the
deepest centre of a lonely heart on 2003's The Isolationist,
it seems Mike Matheson, the man behind Toronto's Beef Terminal, is
coming up for air on Anger Do Not Enter. Matheson's renewed
interest in cut-up-style beats and burbling, fluid melodies harkens
back to his earlier affairs, but the ghostly feelings and six-string
plucking that informed The Isolationist are still lurking
about, making Anger an intermittently eerie and uplifting
amalgamation of Beef Terminal's different styles. In addition,
there's a subtle intensity running throughout Anger that likens the
album to a warning sign of sorts, entirely in keeping with its
foreboding title and artwork, which recalls the emergency procedure
pamphlets you find on airplanes. Cryptic and comforting at the same
time." KH
links/contact
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Beef Terminal
Crosscheck & Departure
available on CD - $15.00
___________________________________
NOISECD363 Anger Do Not Enter

Out Now
Beef Terminal
Anger Do Not Enter
CD - $16.00
1. everything is alive
2. no robbers no kidnappers no fires no
3.floods
4. avails
5. knife in the table
6. about to rain (or not)
7. say it to my face
8. out of step
9. furnace
10. for the sullen lass
11. free lemonade
12. we look to adults
13. anger do not enter
Current Releases:
NOISECD362 the isolationist

01. your revolution
02. daydreams of wasted time
03. january sun
04. nervosa
05. killing the corners
06. passing secrets through the window
07. lines of division
08. internal
09. the isolationist pt.1
10. the birds of september
11. a month of endings
USA
Canada
NOISECD361 the grey knowledge
sounds:
01. her
eyes turn black
02. an
early start (MP3 file size - 3.8MB)
03. alchemy
04. whirlybird
(MP3 file size - 4.4MB)
05. marson lane
06. losing
07. daisyscience
08. enter and leave with nothing
09. time apart
10. red
sky take warning
11. steadfast
12. this city never sleeps
13. the grey knowledge
USA
Canada
NOISECD551 20 GOTO 10
I sat at my kitchen table at
two in the morning staring at the clock for exactly one hour…during
that hour I became convinced I was about to die…two hours
later I came to the conclusion that this was the start of the
breakdown, because they couldn’t understand me…they
just stared.
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